Friday, March 31, 2017

2001–2004: Mainstream recognition

Although highly regarded for her acting abilities, Jolie had rarely found films that appealed to a wide audience, but Lara Croft: Tomb Raider (2001) made her an international superstar. An adaptation of the popular Tomb Raider videogames, the film required her to learn an English accent and undergo extensive martial arts training to play the archaeologist-adventurer Lara Croft. Although the film generated mostly negative reviews, Jolie was generally praised for her physical performance; Newsday's John Anderson commented, "Jolie makes the title character a virtual icon of female competence and coolth."[45] The film was an international hit, earning $274.7 million worldwide,[39] and launched her global reputation as a female action star.
Jolie at the Cologne premiere of Alexander in December 2004
Jolie next starred opposite Antonio Banderas as his mail-order bride in Original Sin (2001), the first of a string of films that were poorly received by critics and audiences alike. The New York Times critic Elvis Mitchell questioned Jolie's decision to follow her Oscar-winning performance with "soft-core nonsense."[46] The romantic comedy Life or Something Like It (2002), though equally unsuccessful, marked an unusual choice for Jolie. Salon's Allen Barra considered her ambitious newscaster character a rare attempt at playing a conventional women's role, noting that her performance "doesn't get off the ground until a scene where she goes punk and leads a group of striking bus workers in singing 'Satisfaction'".[47] Despite her lack of box office success, Jolie remained in demand as an actress;[15] in 2002, she established herself among Hollywood's highest-paid actresses, earning $10–$15 million per film for the next five years.[48]
Jolie reprised her role as Lara Croft in Lara Croft Tomb Raider: The Cradle of Life (2003), which was not as lucrative as the original, earning $156.5 million at the international box office.[39] She also starred in the music video for Korn's "Did My Time", which was used to promote the sequel. Her next film was Beyond Borders (2003), in which she portrayed a socialite who joins an aid worker played by Clive Owen. Though unsuccessful with audiences, the film stands as the first of several passion projects Jolie has made to bring attention to humanitarian causes.[49] Beyond Borders was a critical failure; Kenneth Turan of the Los Angeles Times acknowledged Jolie's ability to "bring electricity and believability to roles," but wrote that "the limbo of a hybrid character, a badly written cardboard person in a fly-infested, blood-and-guts world, completely defeats her."[50]
The year 2004 saw the release of four films featuring Jolie. She first starred in the thriller Taking Lives as an FBI profiler summoned to help Montreal law enforcement hunt down a serial killer. The film received mixed reviews; The Hollywood Reporter critic Kirk Honeycutt concluded, "Jolie plays a role that definitely feels like something she has already done, but she does add an unmistakable dash of excitement and glamour."[51] Jolie made a brief appearance as a fighter pilot in Sky Captain and the World of Tomorrow, a science fiction adventure shot entirely with actors in front of a bluescreen, and voiced her first family film, the DreamWorks animation Shark Tale. Her supporting role as Queen Olympias in Oliver Stone's Alexander, about the life of Alexander the Great, was met with mixed reception, particularly concerning her Slavic accent.[47] Commercially, the film failed in North America, which Stone attributed to disapproval of the depiction of Alexander's bisexuality,[52] but it succeeded internationally, for a total revenue of $167.3 million.[39]

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